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Yeah, I should definitely mention that I often arrange with a subwoofer, and that really helps
I could not do what I do without access to one ha
i tried to get more bass with a modified prosound and seems to be working.... i tried with headphone and you can hear a little difference .. but never tried with big amplification and subwoofers ..
it work but only for very low basses . (whould say 20-40 hz) ..
the PCB will go to production normally this week ..
http://noizeinabox.blogspot.co.uk/2012/ … nabox.html
Honestly I think running a DMG through tubes for 'warmth' is snake oil. The whole aesthetic is cold hard transistor perfection anyways. Seriously, it's a stupid idea.
And this is coming from a guy who plays through a great tube amp for guitars.
I've been doing this lately, and I think it sounds great, personally. I find it removes some harshness and mildly distorts really nicely on basslines.
I've been finding I get more control on that low knob when I use smoother waveforms. Still, it's sorta odd that a sharper WAV won't reach that point... O_o
Still, it's nice to see that I can now achieve a better mix live.
thebitman wrote:Other things you can do is making your "volume" levels for your WAV instruments seem lower (frostbyte know more about this than do).
Also - you might want to look at adding some sort of tubes for extra warmth or adding some different capacitors.
How would I add tubes to the DMG?? Or do you meant he amp.... I'm very interested.
You could always run the DMG through a studio mic preamp, a lot of them are tube-powered.
I've been finding I get more control on that low knob when I use smoother waveforms. Still, it's sorta odd that a sharper WAV won't reach that point... O_o
Still, it's nice to see that I can now achieve a better mix live.
CURTIS.
The simpler the waveform the stronger the perceived bass, too
edit: i suppose you mean simple as in harmonics, sorry, ignore that then
Last edited by ant1 (Aug 21, 2012 12:24 pm)
The simpler the waveform the stronger the perceived bass, too
I KNOW, THAT'S WHY I SAID IT.
I have a Behringer as well and a good set up (for 1 channel) that has worked well for me is to have High pass on full or slightly less, Mid pass on about 3/4 or slightly more, and Low pass, obviously, on full.... other than that, I would just say to change the volume of instruments so the bass is more obviously emphasized