http://www.musictheory.net/lessons

there's tons of great sites out there with flash-based lessons that allow you to see/hear the concepts as they are explained.

178

(17 replies, posted in Releases)

Zan-zan has graciously offered up this fantastic album in a name-your-own-price format.

For anyone who slept on this, now's your chance:

http://zan-zan-zawa-veia.bandcamp.com/album/mok-mok

Inpuj sputters back to life with a mysterious release by Bunbleman.

Bunbleman - Cinnamon Fried Modulation
[EIS007]

1. Bungentle / Pictor Kyute
2. XPro
3. Fleshtruck (dunade 2)
4. Ogator
5. Spider
6. Buncats
7. Yoruneet
8. Bundogs
9. XPro Hard (coffee version)

www.inpuj.net

I'm not touching any of this with a ten foot pole.

XyNo wrote:

Montreal is an awesome place for chipmusic. The Toy Company guys are doing a really great job !!!

^This. Going to toycompany shows over the past few years and seeing people get enthusiastic over tracker music has definitely inspired me to keep up with my own weird tracker stuff.

It seems like a relatively new thing, but also a continuation of old attitudes regarding sharing knowledge. Like others have said, the demoscene was always friendly towards knowledge exchange - but it was mostly done via demoparties or private irc /msg chats, etc.. As demoparties have waned in size/frequency, and the IRC community has become less vibrant, it doesn't surprise me to see demogroups open-sourcing their code in the aims of contributing to a healthy community.

x2

I wrote some stuff late last night that killed this very interesting thread.
Sorry tongue

i think what we're trying to get at here is that prohibiting the free creation of derivative works seems antithetical to what CC is supposedly "all about".

it's a very interesting tag. one would think if you cared enough about ND, you would just exercise your copyright.

187

(8 replies, posted in Releases)

this is really good!
it makes me happy to see .xm/.it format stuff getting some exposure.

188

(59 replies, posted in General Discussion)

SKGB wrote:
godinpants wrote:

Witchhouse? That's so 2008.
Now it's all about scuff.

Oh god can we not please. YO DAWG WE HERD U LIEK GHETTO TEK SO WE SPEEDED IT UP AND CALLED IT FOOTWORK THEN WE SLOWED IT BACK DOWN TO NORMAL AND CALLED IT SCUFF


that being said I love me some footwork / juke

somewhere behind me i have a copy of xlr8r from ~2000 with a cover story on ghettotech. same old, same old.

(definitely not witch house, though)

189

(49 replies, posted in General Discussion)

anxiety, mania.

hella thread derail. sBach and chirpin' hard are unsung heroic acts of chipmusic.
pretty sure 'nintendocore' is more of a tumblr tag than a music genre.

the most recent hella album was mindblowing.
http://www.youtube.com/watch?v=NyMg-SRIOdg

i still don't know what time signature this tune is in:

http://ilkae.bandcamp.com/track/magnesium

For what it's worth, I have seen sheet music notated as 4/3 (4 dotted half notes per bar.) While this is arguably no different than 12/8, certain writing conventions exist where 4/3 would be preferred. (For example: a short 8 bar passage in a piece written in 4/2). This may even be frowned upon - I have no idea. All I can say is that I have seen it in repertoire.

People seem to make a big deal out of time signatures. With the right syncopation/rhythmic sense, you can turn any finite grouping of 3's and 2's into something catchy and not-awkward.