herr_prof wrote:
J. Arthur Keenes wrote:

I wish there was an LSDJ kit that would make me write songs as masterfully as Brian Wilson.

Ok, ill sell you some blotter then pretend to be your overbearing father for your entire life. Not sure if this will fit in a kit though.

18

(13 replies, posted in Motion Graphics)

xero wrote:

http://awards.scene.org/nominees.php

a friend of my got nominated in the best effects category for a flash demo called: Area Unstable by Badsquare

check out all the sick demoscene goodness!

This is really cool. I didn't know people made flash demos like this.

Your avatar does make me expect something sarcastic lol.

arlen wrote:

0 entries so far? Come on, guys. hmm

I'm working on it! I didn't notice the theme had been posted till today. I'll get one in.

Decktonic wrote:

Are you saying dubstep isn't a good genre for this comp??? I'm confused sad

Dubstep seems appropriate. It's tuff.

haha cool. I've got some ideas.

arlen wrote:

#1: Bringing your fists to a gunfight... and winning!]

lolwut?

May be a sign of calcium deficiency.

23

(189 replies, posted in General Discussion)

...durr, whoops.

24

(189 replies, posted in General Discussion)

I guess it's about whatever you want it to be about though.

25

(7 replies, posted in Nintendo Handhelds)

It's pretty simple, just be sure to read about making proper solder joints. The contacts are tiny, and there's not much room for error. Make sure you have a good clean tinned tip on your iron.

I'm amped up for it.Really hope this happens.

27

(3 replies, posted in Releases)

Hey I like this stuff. Good shit.

28

(189 replies, posted in General Discussion)

goto80 wrote:

But....

Why do we talk so much about limitations? Is it just a way to conceptualize what we do and make it legit for outsiders? Since every instrument has its limitations, why are we so eager to emphasize this with our instruments, when others prefer to talk about potentials instead of limitations with their tools?

Trackers give more control and are fast to work with, especially the ones not based on samples. The low amount of waveforms and polyphony is maybe just the price you have to pay for this mega-luxury?

Celebrate!

This is exactly what I was thinking. I don't play the guitar to celebrate limitations. It's a whole package. I do agree that when someone enquires as to why I would make chip music, it seems like a good answer to say, "I like working with the limitations." But I don't really think that's true. Or like the way people want you explain any art to them. "What does it mean?" What do victorian-style houses mean? I dunno. Whatever, just imo.

Just to clairify tho, working with limits can be a fun exercise.

e.s.c. wrote:
arlen wrote:

I don't even know how to imagine a mario mustache ride.


artist's conception

LOL. I think "free mustache ride" is a t-shirt slogan, inviting woman to engauge in a certain act...works every time.

I hate being old and grumpy >:(

Is there going to be a specific format(nsf,it,xm), or just a loose guideline?

32

(189 replies, posted in General Discussion)

nitro2k01 wrote:

BTW, the same argument could be applied to acoustic guitar players. Are they in it for the limitations?

Exactly. The lack of limitations given by a DAW is a far weirder thing than the limitation of lsdj etc...ya know?

I don't know why other people make or listen to this shit. But there is definitely an aesthetic created these limits. Initially the fast arpeggios of chip music were just a necessity..but now people kind of expect it to some degree. The aesthetic can be emulated though.