433

(3 replies, posted in Nintendo Handhelds)

Cool thanks for the link.  I've looked around a bit and seen posts regarding "Pokemusic".  Howerever I can't seem to find out exactly what it is and by that I mean is it a rom/a rom you can flash to a cart?  Also is it fully operational?  I see forum posts talking about programming and coding it so is it software that I'd need to actually know coding or something for?  I just can't find much specific information about the pokemon-mini + pokemusic (I mean it IS a pretty rare piece of hardware so i'm not surprised).

Thanks Party Time!

434

(3 replies, posted in Nintendo Handhelds)

This is fairly obscure, but has anyone had any experience with the pokemon mini and chipmusic?  I've searched a bunch around the internet with no luck and I'm more or less curious if anyone has ever modded one or somehow composed with one.  Any info would be rad.

Thanks, guys.

Count me IN this round!  I've got the time as well as an idea that'll tear this shit up!

436

(88 replies, posted in General Discussion)

I don't know much of anyone from here who chills in Japan.  But regardless I'm glad to hear those people are alright as well as the many others affected.  I'll be getting more of the scoop once my Japanese bud gets out of class.  I hope his friends and family over there are alright too.

437

(57 replies, posted in General Discussion)

Fauxhound wrote:

This horse is amazing.

chunter wrote:

I can provide actual tips and exercises regarding doing this and freeing yourself from the "this song is done forever" box if anyone is interested, but that should go in a different thread about composing.

Um...yes this.
I'm pretty sure everyone including myself could benefit from such a thread.

439

(48 replies, posted in Nintendo Handhelds)

BetaSynapse wrote:

I actually miss the patch book because I would see a clever way to get a sound, then mutate and apply that technique to everything else to create totally new sounds. But yeah, LSDJ is a lot of experimentation really.

I'd be all about it now that I've reached more of a plateau in my learnin'.
....and It would be awesome to get one up again (possibly on the slowly expanding Chipapedia)

...hell I'd even spearhead that shit.

Subway Sonicbeat wrote:

Something I recently adquired is the patience to sit on my songs a little more and go for what I really want to do with my music.

Same here.

But I'm a huge supporter of this idea.  I've written guitar songs for a long long time and can remain patient with those...not hurry up a track cause I'm ADD-out and want to work on something different...or releasing a track that I just kindof through together in a day. 

You need to genuinely believe the stuff you've written is perfect.  You need to listen to it a week later and think
"Geez...err...I still don't know what I'd change, it all sounds really great"

I've also listened to your stuff.  It's not AT ALL my style of music.  BUT removing my own personal biases out of the equation...I definitely can tell the songs haven't been given enough attention.  My biggest advice would be to work on the vocals.  IMHO they barely fit the music.  However, I do LOVE THE SHIT out of the ukulele bit.  I really do.  Run with that....it's unique and I think with some more time it could be fucking spectacular and I mean that.

441

(48 replies, posted in Nintendo Handhelds)

Experimentation, experimentation and experimentation. 
Every new song I made I utilized a different command in the majority of the song to get them down.
I also messed around with tables a ton to get a grasp of the different unique sounds I could use.
In my opinion experimentation is the only way to go.  I'm glad the LSDJ patchbook that I tried to access so many freaking times was/is down since I definitely would have less of an understanding of the program. 

PS:  +1 internets to Chip*Zombie...kickin' rad thread topic.

442

(82 replies, posted in General Discussion)

DaPantz wrote:

Promotion becomes a natural extension of you as an artist once everything else is locked down.

Perfect statement is perfect.

And I completely agree with Note!
It's a double edged sword to make what you like and aim to please.
The best way to go about it is to write songs you really enjoy...be a perfectionist.  If there's something in a song that rubs you the wrong way, don't release it in an EP.  Tweak the song until every tiny bit makes you proud of what you've done.  If you're confident with regards to your own musical talent chances are others will enjoy your stuff and will help promote it even if it's only in a small way.
Don't rush things.  Come back to songs after a while.  Try to find your own sound.  Talk to EVERYONE about your stuff...you never know who may have connections or interest in helping you out. 

ex: I talked to a friend from a while back about chipmusic (which he never really heard much about) and it turns out he regularly sets up electronica gigs everywhere in this state and was interested in utilizing my material in his sets.

Things like that really make a difference.

danimal cannon wrote:

Get lucky.

...that

...but hard work and drive wouldn't hurt either.

You have to to understand the nature of this chipmusic scene beast.  As a genre it is an extremely unappreciated art outside of it's own home, while inside the family continues to grow by what seems like hundreds every day.  Think about 8bc.  Songs only appear on the front page if it's been a week since the users last upload (excluding deletes and all that).  How many NEW names do you see that you've never seen before each and every day?  Making yourself known more than the clusterfuck of other chiptuners is a monster task.  Things are different here.  In most areas people couldn't give a shit about someone playing a gameboy at some bar...but if it's a band playing a Johnny Cash cover people will eat it up.   It's very cliche of me to say, but in all honesty "Write because you love it" really applies here.  As disheartening as this may sound...you can't really expect to be famous, but at most...respected by your fellow chiptuners.  For me...If I write a song that (for example since he's a big influence) Saskrotch thinks is rad...then my day is made.  You have to be psyched about little things like that otherwise you may end up very disappointed.

Little victories, friend.  Don't overlook them.

444

(54 replies, posted in General Discussion)

joule wrote:

The website seems very LSDJ centered. I can't find many trackers on there.

I'm thinking about writing a comprehensive and specific LSDJ tutorial to throw up on the site.  I know there are many out there and I figured the one I put together would include more specific things (what different S, E commands do to the sounds, detailed WAV channel synth explanations etc. etc.)  I've read many tutorials and there are many things they don't really touch base on or go into specifics about.  Let me know what you guys think because honestly if you'd just think it's redundant then I'll save myself the trouble.  But if you think it'd be of great use (which would probably only be seen once it's done) let me know.  I could include different styles of LSDJ'd material and include tips (without giving away any secrets if anyone feels less inclined to give out straight patches or whatever).

Really...let me know since I would definitely take the time to do it up right if others think it'd be a good addition.  Otherwise I'll just take a picture of my cat standing on my DMG and upload that instead.

Did someone say "T-Rex"?

Possible theme:  "When things take a turn for the worse."

I can't not think of this thread every time I casually slide my GBC and my headphones into my pocket to head downstairs into the bathroom.  What the hell.

I need to start bringing an egg timer with me or something...I tend to forget what I'm doing and spend like 6 hours in there.