193

(17 replies, posted in General Discussion)

I'll try to make it up for the Toronto show!

194

(22 replies, posted in Releases)

So good!  Honored to be a part of this

195

(37 replies, posted in General Discussion)

metropeak wrote:
herr_prof wrote:

Its just a video game, jerk.

Is that an obscure reference to the interview Timbaland gave after ripping off chiptune-artist Tempest? tongue

yes

Misfit clowns?  Woop Woop? 

Going for the Juggalo market?  Just callin em like I see em buddy

197

(45 replies, posted in General Discussion)

Yeah I figured that list had to just be random examples.  Nullsleep's constant ranting really ruins this place

198

(41 replies, posted in Other Hardware)

Get a prosounded TalkBoy

199

(25 replies, posted in Audio Production)

Cool stuff, kinda disappointed they don't explore pitch and mod/vibrato data, nor do they create percussion noises via creatively slammed notes.  This could be a fun platform if I could figure out an efficient entry method.

i pretty much am in love with all those acts

201

(18 replies, posted in General Discussion)

Can I be a critic?

Disasterpeace

203

(32 replies, posted in Past Events)

last one was fucking awesome

204

(32 replies, posted in Past Events)

205

(17 replies, posted in Releases)

YES

206

(97 replies, posted in Past Events)

AAAA+++ would mosh again!!!!!

207

(39 replies, posted in General Discussion)

TSS and I have a history of being arrogant cocks to each other on the Internet (see you at 8static!)

It's pretty much what Wizwars said.  And I always tell them it is stereo (with the request that the channels be panned only 15-20% if the room is wide and PA is stereo).   

The thing with the subs, I was right, and asked politely.  I know how much low end I SHOULD be emitting, especially since a lot of the bass notes are fundamental waveforms.  I treat sound guys great because they can literally kill your performance, it's like insulting the cook making your food. It doesn't mean that I can't judge them for being bad at their job.

208

(39 replies, posted in General Discussion)

I think something might have been lost in translation.

I don't care if the PA is in mono.  I just need the two channels I am sending them to come out of the mains, and also out of the stage monitor.  I literally make it bonehead simple, and am incredibly surprised at the creative and inventive ways that this manages not to happen. I even give them the option of either XLR or 1/4".  If the house music sounds fine through the PA, then I should sound fine.  Surprisingly that is often not the case.

I treat sound guys like gold, say thank you constantly, don't abuse their equipment, and start/finish on time... every time.  I was just wondering if anyone has run into similar issues or whether I should bend over backwards even further to prevent these issues.