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If the person is too broke to pay the damages you won't get the money, and there will still be people who want to be paid.

Just make a point to remember who these people are so that when the next person comes around, finds all this music, and thinks it'd be easy to retag MP3s and post them, or mime playing an instrument to someone else's song, all these negative examples will be around saying that maybe it's not worth the trouble.

Reading Jeremy Lim's story makes me wonder if maybe a Ukrainian fan could've helped him get signed to a label and become his manager, if people's intentions had been just a little bit different.

That's what archive.org and such can be for, if you expect some permanence, or just get a dropbox account for temporary stuff if you haven't already.

Gate/Hush might be closer to what you want in tone, there already is a LP filter in the device...

That doesn't make the passport and ticket less expensive, but thanks for the video all the same.

Earth, wind, fire, water, and metal.

http://chipmusic.org/forums/topic/3988/ … read-this/

Answers:

1.) Out of famitracker do you guys split the wav's into separate wav's for each channel, or keep it as one wav file out?

It depends on the context of how I'm going to process it and whether or not I want the result to end up in stereo.

2.) What sort of EQ and processing (if any) do you put on the tracks?

Depends on context, usually compression to make the attacks articulate. Sometimes light reverb or delay to give the impression that something is playing inside a room.

3.) Any tips for EQing triangle / sawtooth?

Also depends on context, but, as little as possible. Maybe roll lows off if there are issues at that end.

I think there was a thread about this already.