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Pretty sure I sent you a link but if you didn't get it at the time you'll find that the link has expired, I'll have to upload it again later tonight.

I did consider those, but personally I think that they're more a matter of sound design than the arrangement and composition of music.

This is perfect, though!

I'm going to be spending the whole evening trying to think of an exception to the above statement

Well, one that isn't a snarky generalization

that's gay, you're gay

If you don't mind stuff with rhythmic elements, Astropilot is fun. Some of Shpongle's softer stuff will probably fit in, too. If you haven't already, grab Aphex Twin's Selected Ambient Works vol. 2, it's kinda essential listening imo. Going with a very broad definition on "ambient" here, though! :V

Also: here's a (SHAMELESS PLUG FOR A) thing I did a while back. It goes through a few dynamic phases and touches upon the chaotic aspect later on. You might like it?

MIDI is just triggers and messages. You can use MIDI messages to trigger samples and change parameters and banks and all that; it wouldn't be much different to using the stock GM instruments (which are also just samples with loop points), in this regard.

For sure, especially once they start entering the formal operational stage (aww yeah droppin' psyc101 all up in 'ere!)

But yeah! There's enough simple-language explanation there for people of any age to be able to fill in the blanks. I just thought it was funny that they were like "hey guys sawtooth and triangle waves!" without any visual cues, not even an oscilloscope or anything!