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ChipMusic.org / Forums / Posts by sugar sk*-*lls
Argh! Two days before the show and one of my game boys starts doing weird things! >_<
To the retro gaming store!
worst case, you can use mine. justin put a special switch on it, infinite drops! plus i got the game genie with the mario at a rave codes-lost the pokemon amen breaks codes tho 
Hi all,
This is a super cool, fun all day event, all the things circuit bent. lotsa info,so im just gonna leave this link:
http://www.theatreintangible.com/circui … -headline/
im rockin in the performance portion 11pmish in Elegant Bassterds, (my buddy Derek and i are building something insane for this!)
hells yea gonna be sooper fun,
btw just so you know.... we're going to be stealing you michael and making you a nashvillian
I made this guy dance:
no shiz? holy shizz you win! one of my heroes, well done. he's playing in nastyville at the end of the year.
peeps like what i do or dont. no real grey area
sugar sk*-*lls wrote:super double nice, wat game?
...
really?
Saskrotch wrote:Arranged soundtrack for A Nation of Wind (http://nationofwind.tumblr.com), a free RTS/arena shooter game for PC.
ha no dood, "wat game?" as in the music would be worth releasing, hearing without the impetus.lolz
super double nice, wat game?
the only value of limitation is that it magnifies the brilliance needed to overcome said limitation... pragmatism ftw
nice. sweet grooves yo. soooper drama style
you can do other time sig's in nano...but you better have yr fractional hat nearby..you gotta write a phrase over more than loop and put it together in the song editor, 5 loops in 4/4 can be used to write a phrase in 5/4-not ideal but works
lolz...
everyone here is sooo hilarious and brilliant... i would take someone being a "8lllllD" on threads here over someone being "cool" elsewhere.
per the thread: theghostservant's post represents everything i am inspired by in the underlying collaborative approach to chip, ant1 is pure dada in the best way, a very unique and necessary voice. decktonic exudes a warm intelligence and an engaged inquisitors perspective in composition.
the battle of olympus, then the 2 zelda's tied for 2nd, then metroid, goonies 2, punchout, final fantasy, kung fu and contra for 3rd,the mario's 4th. fuck silver surfer and the ninja gaiden games-i ruined my thumbs with hours of frustration on those. skate or die was cool tho and excite bike too wtf dood?...shit i dont need anymore time wasters...im off to download sum romz
fun ok:
nirvana: in utero
led zepplin: houses of the holy
the velvet underground: the velvet underground
os mutantes:os mutantes
jeff buckley:grace
radiohead:ok computer
phillip glass: uakiti
chopin:preludes by aurthor rubenstein
kraftwerk: autobahn
bjork:vespertine
david bowie:low
brian eno:another green world
sun city girls:torch of the mystics
beach house: devotion
dj shadow: endtroducing
alright you guys all have really good points. if i could make an analogy similar to my eyes being bigger than my stomach, but in relation to this, there you go.
soooo
in reality. four? hows that? like 3 - 5. haha. cuuuuz yeah idk.
i can try and set it up for the 10th? is that like a preferred date?
i second dr. maynard the smaller the bill the better: a 3 act bill is ideal, 4 is pushing it, 5 is in the epic range. no more than 20-25mins per act. time will expand exponentially at the gig, its totally apart of the rawk continuum. trust me, if you can master this style, people will always ask when the next shindig is and..... look forward to it. ninja style; in & out leave the audience asking: wtf was that? why is it over already? MOAR!
i... am... excite... for the arduino boy stylee stuffz. nice to not have to wait for those rare moments where i have money for gear and its available to align. if i can knock one variable out, awersum. cheers
awesome!
sugar sk*-*lls wrote:in..ta...resting.... and no noticeable changes in sync?
If you're using a DAW, you simply have to align the first beat of each track and they will be perfectly synced.
i ask only because i've done something similar using casios to layer beats going into the interface w/o midi sync. thats is record a beat then track another on top, same tempo, same beat even and they eventually diverge(even if its just slightly) and sheesh..... when dumping tracks from a tape four track its even more noticeable-which is to be expected. i just assumed you'd get the same thing when tracking from a dmg without using midi sync- time being a relative thing and tiny variations and fluctuations in power.
good to know for future reference
ChipMusic.org / Forums / Posts by sugar sk*-*lls
