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ahahha, this is getting ridiculous. you will lose money regardless. that is what making music is for as far as the common dude who simply loves making music is concerned, slowly and painfully losing money in an effort to get what you are doing heard. if the risk of losing money means you have to turn to whatever to have it funded, that means you probably shouldnt do it, because you yourself dont have enough faith in seeing it through with your own effort. just my opinion, and opinions can be changed, but i think you'd have to work pretty hard to convince me otherwise based on what you've said. i have been making and releasing music for about 2/3 of my life whether its cassette, vinyl, cd, net release, flash drive attached to carrier pigeon or whatever the case, and at no point did i even say 'man, i hope i break even'. i guess that is why i keep saying these things to myself, because i am not so quick to turn to kickstarter or patreon or indiegogo whenever i want to make a new album. i just do it and release it and hope that they enjoy it.

so you want to put music out without that financial risk to yourself. thats well and fine. find a netlabel to put your music out, generate some buzz for yourself, kinda prove to others that what you have to offer is worth paying for in the first place and then get a label to release your music on vinyl. dont put the cart in front of the horse, dont expect others to support your work if you cannot support it yourself due to the financial risk. people do this all the time and you never heard from em again. i havent heard your music so i cannot say whether or not its worth the effort to print to vinyl. it could be the sonic equivalent of angels shitting gold. but you have to admit, its kinda fucked up to expect others to foot the bill for you and think that you shouldnt sink a few hundred of your own dollars into making a vinyl if you say you love it. you said you are a huge vinyl aficionado, maybe you should sell some of your rarer vinyl and fund it on your own if it means that much. ive given you more than enough info on how to do it economically without it being much of a drain, you'd have to research it on your own further to get the best prices. it sounds youre up on some chipotle bbq artisinal richard gere stuff rather than putting something out there to share and show what you can do. im not saying its easy or that i cant blame you, but come on.

its also fucked to hope that people will pay your way to make an record AND then charge an exorbitant fee on top of that for something with as small of a return as that. lathe cuts are meant to be quick and dirty and degrade whether its virgin vinyl or poly and should be used for just that, keeping the price low while generating buzz. people arent gonna pay you fifty bucks for it. a lot of the time they are cut in mono. now its seeming like you're up on some corksniffer crap trying to make the idea of a lathe cut release into something closer to a legit vinyl run with a number of copies that is so small that you would be in effect putting out a record that virtually nobody would hear. its not appealing. and OF COURSE you'd be keeping one for yourself, thats what a person who crowdsourced a lathe cut release in a run of 5 copies would do. probably has more to do with you loving the idea of making A Real Vinyl Record for yourself than the love for the music that you made and could easily share with others in any number of other mediums which would be far more prosperous. music is meant to be free, you have to be completely accepting to give it period. doesnt exactly seem you are even accepting of what it would take to make a record happen in the first place, much less letting others hear it. what kind of impact is a 4 copy run gonna make? who would fund you to make something that so few people could hear?

in the last 3 days, aphex twin fans on kickstarter have pledged over $38,000 for a caustic window album that was never released. im sure you can see where im going with this. there was ~5 copies of that caustic window record printed apparently. none of the dudes who has them will part with them or share rips of it. cylob has one, mike paradinas has one, rdj has one and grant who runs rephlex has one. whatever other test pressings of that which were given to friends, apparently one of the friends wants to sell it, maybe they're hurting financially or something. so yeah, if your 5 copy run of a lathe cut record somehow gets to be such a mystery to it over a span of 20 years because you rise to the heights that rdj did and you can anticipate that, then yeah. it was the right decision if you do in fact make music that is the sonic equivalent of angels shitting gold. go for it. crowdsource it and make it happen. but then again, you're talking about paying $180 for 5 records like its a good option and expecting people to help make it happen.

actually, forget what i said about lathe cuts altogether. if its not important enough to make a real record, spare your 4 friends your vanity and the awkwardness of expecting em to pay $50 for your music .