PierreReal wrote:

Hi everyone,
I've been looking for a specific sound or set of sounds or a patch or whatever it is that makes the following sounds:

These are pretty basic synth sounds, there are lots of ways you could recreate them with a decent synthesizer. There's no point in trying to find presets or patches, better to just learn basic synthesis and then you can recreate sounds like these very easily.

I like this video because it's a treasure trove of pop culture but also a huge shoutout to all the Internet semi-celebrities that have been supporting anamanaguchi for quite some time (and coincidentally, the chiptune scene in general). But moreover I like how it ends with people just rocking out to a great song. That ending captures the feeling of a live anamanaguchi show very nicely. It's not often these days you see people actually performing in a music video, and to see that in a chiptune video of all things, well, that's cool.

but let's be honest, it's crazier than gangnam style but still very tame compared to ponponpon. better luck next time smile

179

(84 replies, posted in General Discussion)

e.s.c. wrote:
Decktonic wrote:

Even selling singles is a relatively recent concept that didn't make sense before digital music.

wait, what?
music was sold as singles before albums (78 RPM vinyl fits about 3 minutes per side), LPs weren't invented until 1948

ok fine true. I started out writing something along those lines and then went back and changed it, and ended up making this gaffe.

what I mean was that the album as a format for recorded music was not where recorded music started, but then it was the king of profits, and singles came back to form when digital music made it easy for people to just buy the one song they really wanted instead of having to buy the whole album.

you get my point =_=

180

(84 replies, posted in General Discussion)

nickmaynard wrote:
danimal cannon wrote:

The reason is because the temptation to release material after you got a couple tunes together is really high...

especially when you're a solo electronic artist and you don't have to book studio time / coordinate schedules / raise cash / etc.

well let's also keep in mind that traditionally record labels exist to sell full length albums (because that's where the money's at), so any recording contract would require a musician or band to release a certain number of full length albums over a certain number of years. So it was an obligation and not at all about actually putting out good music. Even selling singles is a relatively recent concept that didn't make sense before digital music. Still, every album was sold on the back of a few popular songs... you went and bought the CD just to have that one song you heard on the radio, and you were probably disappointed with half the other songs on there.

and I know Dan that you appreciate music and you like to listen to a lot of good music, but let's face it, most people just like a few songs they hear on the radio. They listen to Call Me Maybe 10 times a day because that's their new jam, and who cares if an artist has 3 albums and 2 EPs, they are just going to buy the one song that's popular and put it on their iPods and they are done.

181

(84 replies, posted in General Discussion)

Theta_Frost wrote:

Electronic music in general gravitates towards the EP model.  I think it has to do with the market receiving it most of the time.  It is also difficult to be prolific with longer releases.

You are correct with your first statement but I don't think it's for that reason.

Electronic music gravitates towards EPs because traditionally, electronic music (being pressed on vinyl) has a lot more bass than traditional recorded music like rock or jazz, and when music is recorded as physical grooves on wax, the more bass there is, the wider groove needs to be. If you don't make the groove wide enough, the bass will literally shake the needle and make it jump off the record, making it unplayable. Therefore, with very bass-heavy music (thumping drums, fat synth bass lines, etc), you can really only fit about 2 songs per side, and keep in mind that DJs want big lead-ins and -outs, so your songs average over 5 minutes long, and in some cases you have a 9 minute techno banger that takes up a whole side of a 12" record.

So even as electronic music transitioned into the world of CDs, vinyl still dominated the world of DJing, and even though electronic musicians might release an album of all their own material on CD, they were still releasing vinyl EPs ahead of the album (to cater to the DJ market and get DJs playing their stuff in clubs before the album would drop) or vinyl singles of the most popular songs with accompanying remixes (so DJs can play the hits). And even now as the world has mostly gone digital, there are still a lot of die-hard vinyl DJs out there, so you still have electronic artists releasing vinyl EPs and singles to cater to that crowd, aside from the obvious nostalgia of releasing digital EPs because that's the way it's always been done.

Obviously this all seems silly now in the world of digital music, and to your point, you are correct that EPs and singles are used as a promotional tool to drive albums. Just figured I should share how the EP got to dominating the world of electronic music even though the LP was king of rock & jazz.

182

(84 replies, posted in General Discussion)

theghostservant wrote:

Is it harder to have 'purposeful' chip music releases than it is to achieve in other genres?

not for me!

oh hey now the download comes from Soundcloud, awesomesauce.

184

(84 replies, posted in General Discussion)

I did two full length releases in 2012. I like albums partly because I see them as a good creative challenge and partly because I want to tell a story that can't be communicated through sporadic singles. The nature of my style lends itself to shorter tracks, though, so Stars came out to 31 minutes while Forgotten Machines came out to 27. All that being said though, people shouldn't do albums just for the sake of having albums. An album can feel like mostly filler if there isn't a purpose to it.

Guys I'm having trouble downloading the mp3, apparently I need a 4shared account? Help me Luke, you're my only hope (OuO)

Ricky Brugal wrote:

TOMORROW NIGHT. BE THERE.

ok!

187

(10 replies, posted in General Discussion)

highly highly highly recommend this show, you can listen to it on the web:

http://www.spinitron.com/radio/playlist … howid=2636

and you can get the full back catalog here:

http://www.mixcloud.com/eric-byrnes/

188

(10 replies, posted in General Discussion)

here's a great one:

http://www.di.fm/chiptunes

I keep this in my dropbox public folder because I hear this request a lot:

https://dl.dropbox.com/u/15215130/YMO%2 … ver%29.mp3

and I totally understand if the mods don't like me posting this so um, feel free to delete this thread...

chunter wrote:

I'm gonna leave this old news here and you can draw your own conclusions.

I'd love to hear if you guys think something like this makes chiptunes more or less legitimate:

http://proximalrecords.bandcamp.com/tra … city-cover

http://www.beatport.com/release/thats-my-jam!-ep/402308

in complete transparency, I think it's really cool that a record label would commission Knife City to do a cover of what is essentially a pop-dance track and release it on Beatport and such.

191

(8 replies, posted in Releases)

Dire Hit wrote:
Decktonic wrote:

Downloadin'!

Decktonic downloading my music? *Swoons*

a ha ha seriously tho this is good.

and I know this is a minor detail, but I really appreciate how each track is tagged with the genre as "chiptune/[genre]". such professionalism! it makes it so much easier for me to pick these tracks for my DJ sets. and these are good tracks! so it will definitely happen smile

looking forward to more music from you! keep it up!

192

(7 replies, posted in Releases)

I could probably live a hundred years and I would never make anything this cool.