EDIT: I think I figured this out... the Color seems to be having troubles with the Vib. Type being set to HF with vibrato. I've discovered that if I turn it to another setting, then up the vibrato speed to compensate, it seems to do fine. I noticed the same problem seemed to appear on pitch bends too. Seems odd that a faster processor would have issues with HF, but at least I found a solution.

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I just got a prosounded Game Boy Color and I really like how it sounds, except I've discovered one odd problem. Songs I wrote with my Pocket that have long sustained pulse notes (envelope at about 78 or 88) seem to cut off really fast with vibrato set at 01. I can almost get it to stick by adding an E command with the same numbers as the instrument envelope, but it changes the sound a bit when the table loops.

Anyone else ever had this problem? The songs still play fine with vibrato on the Pocket.

82

(617 replies, posted in Releases)

Portopak - Fuzzy
4-track EP with music videos for each track as a .MPG file (VCD compatible).

Available August 27, 2014 on Bandcamp.
Limited edition of 10 square 7" lathe cut records and VCD-R will be available for preorder. Should be shipping by early September.

Preview track here:
https://soundcloud.com/jchannell/i-got-your-assassin

I just picked up a GameBoy Color for doing 2xLSDJ work with my trusty GameBoy Pocket. I want to get it prosounded with the bass/noise reduction, but have the problem of not being electronics-savvy enough to do it myself.

I still haven't heard anything back from Thursday Customs after about a week. I'm figuring they're pretty backlogged, so I just sent an email to LOOMIS earlier today through Kitsch-Bent's suggestion.

However, in the case that I never hear back from EITHER of them, I was wondering if anyone else here would be able to do the mod for me. I will obviously pay for parts and labor.

Also, I'll be wanting my Pocket prosounded as well, but will want to have that done at a later date. I don't want to be without at least one GameBoy in case inspiration strikes.

Press down on the D-Pad and start filling in the second line. You can either use the same chains as the first line, make new chains or clone them.

Your song is made of chains, which are made up of phrases with the notes of each instrument. Making a new line on the song screen is as easy as inputting what chain comes next. I'd also recommend making all of your chains have the same number of phrases, so each channel plays for the same length before going to the next line.

I hope I'm making sense here, because I'm posting at work without LSDJ handy.

Here's a bevy of YouTube tutorials that cover all sorts of facets of LSDJ:
https://www.youtube.com/channel/UCh0RVp … xkeejoKvTg

85

(16 replies, posted in General Discussion)

I only have one video up, which is a music video for my chip EP (Portopak - Reasonably Priced) but here's my channel:
https://www.youtube.com/channel/UCAWkOu … CYMV5xBSwQ

Aside from that, I'm also a filmmaker. Here's my main channel:
http://www.youtube.com/iwcfilms

and a web series I co-created and direct:
http://www.youtube.com/2dudesandsweetprince

86

(6 replies, posted in Nintendo Handhelds)

Woah, this had been here so long I thought it was forgotten. I'm at work now, but I'll give these a shot when I get home.

Probably will try SketchMan's method first. I've already filled the pulse and wave channels. I'm using an MGB, so we'll see what it can do.

Without making a WAV sample, anyone have any suggestions for mimicking a sleigh bell sound in LSDJ, preferably with the noise channel?

I swear I'm not working on a secret surprise Christmas EP.

Okay, well I found another place called Rabbitfoot Records in Florida (http://www.rabbitfootrecords.com/) that appears to have the exact same German lathe as the guy at Tangible Formats and cuts on real vinyl. But more importantly, the price is much nicer. Apparently, they'll even make 7 inch records for walk-ins at their record store... which might be the coolest service I've ever heard of a record store offering.

Anyway, they charge $25 for a 12 inch. I'm buying one for myself for sure, but if anyone would actually like a copy, message me on here. I'll cover shipping for anywhere in the US.

Or you can just go download or stream both EPs for free at http://portopak.bandcamp.com, then get up and walk across the room between each EP to simulate having to flip the record over.

EDIT: Nevermind. It's $25 EXTRA for shipping, so I'm doing a 10" with a few tracks cut off, still at $25.

Fudgers wrote:
jmc1987 wrote:

Or maybe just plunk down the money to make a single cut for myself and just ask if anyone else wants one before I send the order

solved!

I just opened this at work and had to suppress a chuckle to avoid explaining I'm clearly not doing work.

Another idea I had is doing a 7" with just 3 tracks, then each one will come with a CD-R of both EPs, with data files of the music video I made and a LSDJ .sav.

TSS, you must have missed some a bit of my first post here. The EPs I was hoping to press are already available as free downloads at Bandcamp. Even the titles of both EPs ("Reasonably Priced" and "Only Nineteen-Ninety-Nine") are joking references to the fact that they're free downloads.

I sell CD-Rs from Kunaki (an on demand CD/DVD duplication service that really everyone making music or movies should utilize at some point - http://www.kunaki.com) for $4 plus $3 shipping, when the total cost of making a CD and shipping it is $5.30. So, after PayPal and Bandcamp fees, I'm lucky to make $1 when I sell a CD. They're also for sale from iTunes and such, but always at the lowest possible price I can set through the two different aggregators I've used. I've not made a dime from other digital download stores, because I really push the Bandcamp page first and Spotify second, figuring those are the most convenient for anyone that would even take the time to listen and I don't really give a shit if anyone pays for a download.

Getting my music out there or making money isn't the purpose at all in what I was pitching here. It was to achieve my dream of having it on vinyl. The idea of crowd-funding a release of this material on vinyl was more of a "Hey, is this even worth it?" than trying to make money. I was considering it a presale more than anything. I don't think my music is by any means the sonic equivalent of angels shitting gold. I would just like for it to be released on vinyl. That's all. If no one wants it on vinyl, they're more than welcome to go download it for free. I wasn't trying to say my music is worth $50, I was saying, "If you want a vinyl copy, this is what it will cost."

I also don't quite understand if you are so against the idea of crowdfunding, why that wasn't brought up before even recommending lathe cuts. But maybe I was just excited about an option for short runs I hadn't explored and missed that your tone was more along the lines of "Hey, don't go crowd-funding when you can just have a lathe cut made."

If it's that bad of an idea, then I won't do it. What I was asking in the beginning was if crowdfunding for a vinyl release is a good idea and I think the answer is a resounding "No." So, I'll probably scrap the idea of pressing already-released material unless there's actually a demand. Or maybe just plunk down the money to make a single cut for myself and just ask if anyone else wants one before I send the order.

But I'll probably come up with some way for the physical version of my next release to be a lathe cut or actual pressing, even if it's just a track or two and extra tracks as a download. There's a good chance I may title that release "Not Quite the Sonic Equivalent of Angels Shitting Gold," because that's too good not to use.

(And a sidebar: I was actually considering a cassette release at one point, since I actually still listen to cassettes quite a bit. I actually replaced the CD player in my car with a stock CD/tape combo deck, since I had a bunch of tapes around and much more durable than CDs when it comes to being tossed around in the car. Though most importantly, I wanted to listen to podcasts in the car, hate fiddling with FM transmitters and found cassette adapters to be the cheapest and easiest option for my shitty 10 year old Saturn.)

I did some more looking and I think I might go with the lathe cut option, just to avoid having a bunch of records I can't sell. However, I'm leaning more towards this guy: http://www.tangibleformats.com

He's cutting on virgin vinyl instead of polycarbonate. Prices are a bit high, but the packages include printed jackets. Well, not full jackets, but since I was originally planning on getting blank jackets and doing some kind of DIY printing method, it seems like a lot less hassle. It'd be $180 for 5 12" records, so the price per copy will be doubled, but a much more reasonable solution. I emailed him to ask how much a run of 20 would be, but with the nature of lathe cuts, I figure the price won't go down very much.

So now, what I'm thinking is this:
- Start an IndieGoGo campaign with flexible funding and a goal of $180
- Cost of getting the vinyl will be $45-$50
- Along with the vinyl, you'll also have your name printed on the sleeve (it's the neatest incentive I can come up with for a $45-$50 package)

That way, I'd need to sell 4 copies (because of course I'm keeping one for myself!) to do the package of 5, but if I don't get 4 sales, I'll still have most of the cost covered. Honestly, with the fees and shipping, I'm pretty positive I'll lose money here, but as long as it's like $100 out of pocket, it's not going to hurt me too bad financially.

Thanks for the recommendation!

Do you have any recommendations? A quick Googling shows that the price actually might not be that much better than just pressing 50 copies, but I could probably do a 10" or two 7" lathe cuts for much less.

So, apart from making chiptune music, I'm also an obsessive vinyl aficionado. I've really wanted to have my music released on vinyl, but it seemed way too cost prohibitive for me.

Recently, I found a pressing plant that seems to have pretty reasonable rates for short runs (Palomino Records Pressing, an old square-dance record plant that has recently began pressing all sorts of vinyl), albeit still a cost that would be way too much for me to spring on my own. I'm thinking of having my two EPs released on a 12" record, with an EP on each side.

I'm considering doing a Kickstarter campaign to try to raise the money, but it'd pretty much be a pre-sale to see if I could actually sell the 50-100 copies I'd have pressed. So, the only real "prize" would be a copy of the record for a $20 "donation"... which is pretty much just buying the record for $15 plus $5 shipping. Since the EPs are both name-your-price-or-free downloads, I feel silly including a download as an incentive for backers and the only other prizes I can think of are test pressings or CDs... and since I use Kunaki to manufacture my CDs on demand, that actually might take away from the money earned.

What I'm wondering is, would anyone here be interested in picking up a copy if I were to go ahead with this Kickstarter idea? You can check out the EPs for free at http://portopak.bandcamp.com to hear what would be included. However, a few tracks will probably have alternate mixes, since vinyl doesn't handle bass or kick drum panning very well and I know I did it on at least one track.

94

(119 replies, posted in Motion Graphics)

This is a video I made for my last EP with a Fisher Price PXL-2000 camera.

Chiprock does save a bit of typing. Glad you like it Dboyd.

And what exactly is donkrock?

Kitsch Bent has CDs in stock, if your shopping cart doesn't look full enough already: http://store.kitsch-bent.com/product/po … ty-nine-ep