17

(44 replies, posted in General Discussion)

héhé, kuzimoto is my hidden (evil) lsdj twin smile)

18

(44 replies, posted in General Discussion)

i've (at last) finished the backlight/pro sound modd, thinking it would ''help to get into it''...

been playing Zelda and Street fighter for a week or so instead... x /

19

(44 replies, posted in General Discussion)

ah, the monthly ''chip-metaphysics''... been missing these smile

ovenrake wrote:

just a gameboy with lsdj + delay cool

love this answer (I was not sure)... and well, wow... nice job...

now I got a chip quest to aim to smile)


this delay thing is a bit of a pain on LSDJ, there surely is a way (would be nice for dubby-snares and arpegios)

what gear do you have on horror dub ??

oO

best chip stuff ever heard so far

22

(26 replies, posted in Nintendo Handhelds)

you could slap a G01 on the first line of a table, and then go to G01 and set it to 2/2 to accomplish the same thing (and SO MUCH MORE)

sounds wicked, do you have an audio example to give an idea of what it sounds like ?

23

(33 replies, posted in General Discussion)

music theory raised as a musical desire at a certain step of my musical life

spent +/- 15 years of playing many styles of musics on a few different instruments (Guitar, Bass, percussions, Reason3) and suddenly realised that I was ''not soooo bad at improvisation, groove, licks and so on) but acted as if I was ''blind''

doing everything by ear, relying on feeling only

felt the urge of ''understanding things'' with the secret hope of getting higher than this rather flat ''pentatonic'' chorus or riffs I was always jerking again and again

picked up the flute, where you do have to have a minimum theory background to survive (and pentatonic by hear do not help much)
got to understand the various basic concepts of intervals, scales, chords building, harmonizing

then picked up the bluesharp, where you DO have to be confident with circle of fifth and modes... and then applied this back to all other instruments I play (well, kind of)


last week a friend of mine asked for a quick featuring on blues harp on a tune
instead of jumping right into it with trial and error, I got a look at the chords ''well main thing is in C, but it should sound nice playing mixolydian on it, so i'll try to play some short phrases arround Bb, A and resolve on C''

theory does not tell you what notes to play and turns your music into a robot feelingless thing, but gives you a kind of a frame, which makes that you can focus on other things than ''ho god, hope that next note will be in tune''

helps to develop a more elaborate (not necessarily meaning complicated), organized language


and it is actually very pleasant


oops, was a bit long, sorry...

24

(26 replies, posted in Nintendo Handhelds)

thanks lazier gunz

I have not really explored this side of LSDJ, being focused on getting some decent bass lines and fat sounding kicks... but this does open new horizons

LSDJ is definitely a wide world to discover (with so little time to spend on it : / )

25

(26 replies, posted in Nintendo Handhelds)

hi guys,

how do you manage a 4 notes chords ?
table, but how ?

(RTFM ?)

26

(10 replies, posted in Nintendo Handhelds)

Niiice...

27

(37 replies, posted in Nintendo Handhelds)

•    Something is better than nothing.

definitely!

I actually had almost all of these but here and there on small papers, really nice that someone made some ''cleaning up'' and compile them on a single doc!!

the .sav would be indeed pure luxury!! smile

(even though I usually like better entering the parameters one by one myself, so I can hear what each one brings to the overall sound)

28

(37 replies, posted in Nintendo Handhelds)

looks very cool!!

thanks for sharing!!

29

(72 replies, posted in General Discussion)

JodyBigfoot wrote:

this is where genres and pigeon holing start to annoy me. we make music ...

yep!

30

(72 replies, posted in General Discussion)

kitsch wrote:

jahtari.  check it.

most definitaly will!!

thanks folks

31

(8 replies, posted in Collaborations)

I'm from France, if one day you need some bluesharp, ethno flutes, fonky sliverflute or... hu, well... ukulele smile

Sesska wrote:

being an absolut LSDJ beginner myself, not that far from starting point, i've also kind of hoped to start a track right away and ''learn by mistake''

but this actually quick led me to some veryvery crapy pulsebass-pulselead-kitdrums-nothing attempt of covers (purple haze, and some french pop-ish shit to be precise)

problem with lsdj is that it's quite simple to do simple things with it... but gets VERY complicated to make some even slighlty more elaborated stuff

so I got back on the holy path of wisdom:

- read the fucking manual (not only once) and try all the presets
- learn the basic manipulations (esp. this life-saving cloning thing)
- try to understand and use the basic commands in tables (esp. the ''P'' one, ''H'' too... E... V a.s.o.)
- understand and use the ''3 ticks'' trick (actually not use this much anymore)

then just experiment some different ways of making up fat kicks, cool snares (got mine by the way^^), basses and leads
mostly using some other people's presets/.save as a base, cheers folks

then putting this together and started of thinking about making up a decent track (failed so far, but won't give it up smile )

it's just my 2 cents, but judging from other people's appreciation only I quickly went from ''hu,hu soo funny, you make some game boy music, hu, hu" to ''fuck mate, how do you get this from a game boy ???

which is far more self satisfying, and motivating, I have to say...