I'm going to try to work an angle to get out to this. Greyhound would only cost around $200 if I can carpool with Alex Atchley from Fort Worth.. If some people would buy my CD, it would make it a lot easier to make it out there. http://bit.ly/4Qptfq

Totally not happening. Unless by chance someone from this forum is from SoCal and feels like driving to and from Austin, letting me ride with them and paying my share of gas. Anybody?

I wish I could talk some bitches into road tripping out to this. No one I know is cool though.

This is like Blip Fest three months after Blip Fest. And it's a lot closer geographically to me than New York. And I still probably can't make it sad

Why doesn't shit like this ever happen in LA? I live in the second biggest goddamn city in America and there's hardly ever any decent chip shows.

Hahaha this is seriously, like, A Chip Off The Shizz Block Volume 2. Seriously. Can't wait.

This is next week. Anyone in SoCal, please come out to this. I promise it won't suck.

423

(74 replies, posted in General Discussion)

Virt.

424

(2 replies, posted in Past Events)

Videos from the show:

http://www.youtube.com/watch?v=9Z-oYJeF0EA - Sputnik
http://www.youtube.com/watch?v=aaurcU-VSDs - Right Back To You

425

(14 replies, posted in Nintendo Handhelds)

Sycamore Drive wrote:

If it has always had problems, why have you kept a faulty product for so long?

Because since I bought it I've pretty much constantly had shows booked and it was (until last night) my only Game Boy, so I didn't want to chance sending it off either to get fixed or replaced and having some sort of delay in getting it back that would force me to cancel a show. Before last night it wasn't too much of a problem, the sound could easily be fixed by messing with the volume a bit, but last night it completely took a shit on me during my set. And it happens just as bad (if not worse) with the pro sound mod jack...I guess I'll contact him and see what's what...

426

(14 replies, posted in Nintendo Handhelds)

So I played a show last night and (in my mind) it was a tad bit on the disastrous side, because one channel of my Game Boy (I think left channel) decided to keep cutting out, resulting in serious volume fluctuations throughout my set. I bought it from Nonfinite around September last year, and it's always had problems. If you use the volume dial, the sound will go in and out on one of the channels til you fiddle with it and make it come back. When recording, the left channel is always more quiet than the right channel. And weirdly enough, the WAV channel sounds fucking weird. It sounds somewhere halfway between the way it should, and the way it does when emulated on a DS. Lots of clicking, and lots of distortion, especially when using samples (hence why I never use samples).

I got a new Game Boy last night and while I couldn't use it for the show (no backlight or any real proper light to use with it) I decided to see how my songs sound in it, and the difference is completely insane. The wav channel sounds smooth, no distortion, no unwanted noise or clicks. I might make a recording in the next couple of days for comparison, but I'm wondering two things...

1) Is it possible to fix the volume switch on a Game Boy? Has anyone had a similar problem and been able to successfully resolve it?

2) What can cause the wav channel to sound like total ass on one Game Boy and great on another? The electronics starting to die? I should note that they're both DMGs, one clear, and the new one is a damn near mint condition Grey boy.

Video of my first chip gig can be found here: http://video.google.com/videoplay?docid … &hl=en

It was at Magfest 6, in '08...Played three songs running LSDJ on my DS...I'd been using LSDJ for about a week so not only did I not have any idea of how to do anything interesting with the program, but I was also still writing pretty shitty music. The crowd was very unenthusiastic, most of them sitting down. At first I thought that was a reaction to my music, but Virt got the same response so I guess not. I was nervous as fuck and with no crowd energy to tap into I just stood up there like an idiot for 15 minutes.

What I consider to be my real first gig (in which I was paid, and also had an actual set instead of just playing three songs) though was back in October, at a multiband festival in Phoenix, Arizona. That night, the crowd was dead for almost every band, and then when I played, people were literally running in the door from off the street to dance. For the rest of the night, every time I turned around I had people complimenting me on how much they enjoyed my set. It was a great time. Video evidence: http://www.youtube.com/watch?v=roG4-PzJ8R0

428

(274 replies, posted in General Discussion)

@Wizwars

PIZZA AND CHIPS 2
FREE SHOW

Performances by:
EvilWezil (myspace.com/evilwezil)
Wizwars (myspace.com/wizwars)
Nameless (myspace.com/namelesstheemcee)
IllGill (myspace.com/illgill)

Date and Time:
Thursday, February 18th, 2010
5PM to 8PM

Address:
Rose City Pizza
3588 Rosemead Blvd.
Rosemead, CA 91770
626-280-8885
rosecitypizza.net

Flyer coming soon!

Wizwars.

I don't really have any multiplayer games yet (just got my 360 for xmas) but I'll be picking up some in a bit. Always down for SF2 Hyper Fighting though (even though my once decent enough skills have been reduced to playing like a fucking child due to not playing in a while).

431

(51 replies, posted in General Discussion)

I've only been playing shows since October so I don't claim to be an expert in this shit, though I've been getting a lot of show offers lately so I guess I'm doing something right...anyway,

Rather than trying to set up straight up chip gigs, try doing some shows with already established artists first. Doesn't matter the genre, though it shouldn't be incredibly far from what you're doing. I mostly play with Rock / Punk / Metal / experimental bands, and at each gig I've played, I've had no problem drawing a crowd and getting people dancing. Maybe it's using the "Woah! He's making music with a Game Boy!" thing to my advantage, but it definitely works.

The problem with trying to set up a "chip night" in an area with a small chip scene / following is that if people aren't familiar with that kind of music, then they're not going to know to come out. I see flyers and show listings all the time for genres and styles I know nothing about, and thus, I don't go to those shows. But if you can build a reputation for yourself as an artist, I'd imagine it's easier to set up whole gigs dedicated to chip music and get people to come out to them because they'd be familiar with your music from seeing you at other gigs. It expands the listener base as well.

It really helps to have friends involved with whatever local music scene you're trying to get into...my success has all been based in Phoenix AZ, which sucks because I don't live there, but I have a good number of friends in the music scene there and they've been doing a lot to get my name out there by inviting friends to shows and stuff like that, also passing my name along to promoters. So while social networking and flyers and stuff like that have definite advantages, it's easier to start off with word of mouth and then move to those things once you have a small following.

Man, that was awesome. I fuckin' love Sam.

And yeah, simplicity goes a long way when done right. I dig complex stuff, but sometimes when I listen to music I just want to have fun, not feel like I'm in a fuckin' classroom.