1,473 Reply by nitro2k01

(234 replies, posted in Nintendo Handhelds)

oliver wrote:

And wasn't it nitro2k01 who added this patch to mGB (can't find the coresponding post here)? AFAIK, Arduinoboy code is not involved, hence it should work with the nanoloop adaptor, too.

I simply added an offset to the MIDI address in the mGB source code. It turned out that the versions I created crashed when receiving data on incorrect channels. This was, I think because for data received on incorrect channels, only the first byte would be read, and the next 1-2 bytes would be interpreted as the start of a new message. But in theory, this should be possible.

The recommended way as of now to achieve this is within Arduinoboy.

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1,474 Reply by nitro2k01

(4 replies, posted in Nintendo Handhelds)

No. Almost all LPT port adapters only implement a subset of commands, suitable only for printer drivers. There's one device that should theoretically work:
http://www-user.tu-chemnitz.de/~heha/ba … ex.html.en
However, even then it's untested and thought to be working simply because claims to fully emulate an LPT port. However, it would probably be slow because of how USB works. For every byte transferred, you need to send a new USB packet, which can typically only happen at a rate of 1 kHz. Even so, this would not work on Windows 7 64-bit.

One viable way might be to create an Arduino shield specialized for the purpose, which would take a certain amount of R&D. I'm wondering if it's worth the effort.

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1,475 Reply by nitro2k01

(8 replies, posted in Software & Plug-ins)

Passive mixing should work just fine if the impedances and levels are the same.
Prosound = high level but high impedance ( = weak "drive") by design.
Headphone output = lower level but low impedance ( = strong drive)

I.e., the headphone output has a lower nominal level than the prosound, but it's better at forcing the junction between the two to its own nominal value.

This isn't really rocket science. All you should need to do is make a special 3.5 mm -> RCA cable for the GBP with a small resistor across the signal lines (left and right) to increase the impedance a little. I can't give you an exact recommended value but something in the range 22-100 ohms should do it. This cable will still be fully usable with only one thing connected, although the added resistor might make it more physically fragile. (Risk for cracked solder joints or wier breaks near the solder joint.)

Then there's the added complication that the impedance of the DMG's prosound will vary with the volume knob. In effect, you should always have it at maximum volume, or the GBP might still overpower it even with the added resistor.

That's all, I think. Good luck if you want to try this.

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1,476 Reply by nitro2k01

(33 replies, posted in General Discussion)

BR1GHT PR1MATE wrote:

STUPID WHITNEY HOUSTON STOP DYING GEEZ

IMPOSSIBLE! ONLY MICHAEL JACKSON'S DEATH WAS FAKED BY THE GOVERNMENT!

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1,477 Reply by nitro2k01

(33 replies, posted in General Discussion)

4mat wrote:

well chiptune and chipmusic are two different things.

Can't we just come up with better terms, say arp music and derp music...

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1,478 Reply by nitro2k01

(8 replies, posted in Trading Post)

Closerized!

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1,479 Reply by nitro2k01

(234 replies, posted in Nintendo Handhelds)

As far as I remember, in *slave* mode, LSDj interprets the first byte as start position. In other words, LSDj should ideally be in MIDI mode for sync. The MIDI was intended for the first generation NL MIDI adapter. LSDj's MIDI mode is just sync, and nothing else. No notes etc. 1 byte = 1 tick. This means that if the MIDI master sends additional bytes, they will be counted as sync and make the song go too fast.

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1,480 Reply by nitro2k01

(4 replies, posted in Releases)

akira^8GB wrote:

Barbara Brylska \o/
(but you are not the founder of micromusic tongue)

I think that's a typo and that he meant to say "founder of the dubcorestep style".

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1,481 Reply by nitro2k01

(234 replies, posted in Nintendo Handhelds)

I think this is what I remembered:

http://gieskes.nl/master-clock-generator/buy.php

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1,482 Reply by nitro2k01

(234 replies, posted in Nintendo Handhelds)

Timbob wrote:

Is there a way to use this midi adapter to sync it with a drum computer or the likes? Without a pc and such.

Long ago, someone made a master sync device that would ouput sync signals for everything, LSDj, Nanoloop, Sync24 and MIDI. I'll see if I can dig it up.

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1,483 Reply by nitro2k01

(9 replies, posted in Trading Post)

I'm not in the market for this, but pictures are always a good idea to get attention. And since you're asking, I'd say the price a bit high. If you look at Nonfinite and Kitsch, their prices both start at $90 for a plain backlighted DMG, so unless the case has a really cool artwork, you might have a hard time sellling this for $100.

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1,484 Reply by nitro2k01

(9 replies, posted in General Discussion)

Vad det knull!

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1,485 Reply by nitro2k01

(35 replies, posted in Other Hardware)

Topic title mercilessly edited to be more clear and concise.

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1,486 Reply by nitro2k01

(35 replies, posted in Other Hardware)

Aeros wrote:
nick wrote:

- Video-out for the gameboy. I know a couple of people have put together rigs that do gameboy-vga; it would be cool to see something like that available as a kit. I know I can use the super gameboy, but it would be nice not to be tethered to the SNES, and maybe we could even get better video quality.

OH MY GOD THIS. THIS THIS THIS. NEVERMIND THE MIXER. THIS.

I'm just curious, what exactly do you guys want this for? LSDj tutorial sessions? Fullscreen gaming? Not having to hold a DMG in your hands? I don't want to flatter myself into thinking shitwave is this popular...

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1,487 Reply by nitro2k01

(2 replies, posted in Constructive Criticism)

Topic title edited as per this

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1,488 Reply by nitro2k01

(11 replies, posted in General Discussion)

Generally with software under a free license, you need to license derivative works under the same license. It's doubtful whether sounds created with a piece of software qualifies as a derivative work. Watch out with samples on the other hand. As a rule of thumb, ask the creator of the sample if it's unclear whether it was meant to be freely usable in music production, or at the very least give attribution.

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