193

(45 replies, posted in Releases)

As a man who appreciates a terrible pun, famous last birds has my approval.

Also, as ever, totally next level LSDJ skills.

194

(99 replies, posted in Releases)

It's great that chip music doesn't need Malcolm Mclaren to get places.

These guys own and they've worked hard to get this kind of attention.  Good guys done good.

195

(1,620 replies, posted in General Discussion)

Where did you get the tablecloth?

196

(16 replies, posted in General Discussion)

http://ningen.bandcamp.com

I make downtempo, wonky, ambient shit with a lo-fi aesthetic when I'm not making chip or rock music. I'm also a regularly recurring member of John Richards Dirty Electronics Ensemble and I've played with Chris Carter (Formerly of Throbbing Gristle), DJ Sniff from STIEM, and Anna Meredith.

197

(89 replies, posted in General Discussion)

Seriously though, it's actually just based on the dreams the creator had. It was actually a very limited release and came with a book that had excerpts from the guys actual dream diary, along with original sketches.

I'm sure I've got a .pdf of it somewhere.

Talking of Dream Diarys. Play Yume Nikki.

198

(89 replies, posted in General Discussion)

Alpine wrote:
eme7h wrote:

Acid is not so expensive.

Yeah, but where I live, it's a pain in the ass to find a reliable dealer for the stuff. My main one only sells bud and coke, the latter of which, I have no interest in.

Lel.

LSD in leicester.

199

(95 replies, posted in Nintendo Handhelds)

walter b. gentle wrote:

everyone knows you have to leave it alone so you can put RAW LSDJ in your song description.

Meh. I always just considered that the Chip version of [DEMO].

200

(95 replies, posted in Nintendo Handhelds)

Invisible Robot Hands wrote:
my.Explosion wrote:

So far most of my chiptunes have been raw output. On some tracks I may add a slight, *slight* reverb. It's not often noticeable at all, but I think it gives it a little more "softness".

My general thinking is: if the track sounds good raw, no need to make more of it. Don't fix it if it ain't broken. wink

Some sorts of tracks generally just seem to do better raw, too. Crazy noisy chipthrash shit, etc.

It depends on your audience as well. The harsher your production the less likely it is to appeal to more casual listeners, but people more involved with chip will be more likely to give it a chance.

201

(95 replies, posted in Nintendo Handhelds)

Now I've started using grooves a lot its harder to align individual tracks for mixing, so I've been practicing just making it sound as good as possible on the hardware and recording straight. It's something you should probably do anyway, but I occasionally find myself being lazy about things if I think can sort them out later on. A tiny bit of reverb never hurt anyone.

The actual, compression aspect of mastering can feel a bit redundant when gameboys have such naturally limited dynamics.

202

(9 replies, posted in Releases)

One day, anything from aanaaanaaanaaana is going to be the tracker equivalent of the obscure, weird soul 45's collectors kill each other over.

203

(10 replies, posted in General Discussion)

I especially enjoy that you made all these yourself and used a throw away.

204

(36 replies, posted in General Discussion)

aanaaanaaanaaana.net :: initiate legitimacy ritual

205

(90 replies, posted in General Discussion)

Honestly, it's the "tune" bit. It sounds like all chipmusic comprises of is fun little ditties. So I annoyingly insist on using Chipmusic at all times.

206

(90 replies, posted in General Discussion)

Chiptune as a verb is annoying because it delegitimizes chipmusic by separating it from other kinds of music unnecessarily.

207

(44 replies, posted in Other Hardware)

Yamaha FB01. Bitch to edit sometimes but gorgeous once you get it open.

4mat wrote:

stop calling things 'fakebit'

http://eqavox.bandcamp.com/album/fake-bit