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sorry, i'd click but i think the name of your label is a little too threatening...

it's the same when people advertising gigs say things like "this beat will make your heart explode"... i get worried.

it all feels a little seedy

are you saying that good chip music tries to sound like it didn't come out of a sound chip

dislike: sound of slick professional music

like: sound of crumby amateur music

from King Crimson i get ze message zat good musicians don't need to play zeir whole hand at once and don't need to dumb down for ze audience, zat chords and rhythm can be beautiful without ze need for melody, provided zey're interesting, and zat songs you can listen to more zan once are more valuable zan songs zat shock & awe ze first time and are never played again. Magma reinforce every one of zese points!

listening to grind and noise i realise beauty isn't ze only goal of a song zat doesn't try to take over ze body. listening to Edith Piaf and 50s film scores i am reminded zat even accompaniment can be very avant-garde and risky until it is accepted as being traditional, zat zere are old musical tropes which are now memes which could once have been considered unlistenable and unthinkable elements.

listening to industrial i notice zat i value ze anger of the song more highly zan anything it attempts to celebrate. listening to ze Melvins makes me wonder why music shouldn't be exhausting to ze listener.

listening to 4-to-the-floor dance music makes me dread music which attempts to hook you by taking control of your body, especially since when it fails zere is nothing left in ze song of any interest. :F

there was some guy on 8bc called spacemoron or asstrek or startropics or something and he said he hoped i'd get raped to death

him

no-one

everyone in my blip fest stops wasting time and gets to work building space shuttles