Here are some modifications I did to my NES with MIDINES cart.

I never liked that MIDI cable sticking out of the front - it looks untidy and is prone to breakage - so I made my NES into a sound module with its own MIDI IN socket round the back. The internal cabling is nice and tidy and doesn't cause the NES to overheat. To avoid butchering that rare MIDINES cart, I used a cable-mount DIN socket to connect the MIDINES to the case's MIDI IN socket.

Also I've done the channel split mod on it, with 1/4 inch sockets at the back next to the MIDI socket.

This was done quite a while back but I've only just found the photos. tongue Click images for larger size.

akira^8GB wrote:

BeOS is discontinued and probably far more useless than OS9.

If you seriously just gonna use it ONLY as a wordpro, keep OS9.

Probably far more useless? I beg to differ! Haiku is keeping the BeOS alive as OSS, although it's still at alpha. Have you used Gobe Productive ever? It's an amazing suite, very innovative, way better than anything I can think of for general stuff.

Not to mention BeBits.com for all your free and open source software needs...

Do you know anything about BeOS to make such a definitive sounding statement? I'd say BeOS is way more useable than OS9 - but I'd never advise someone on OS choice and present things as statements of fact.

Give it a try!

http://www.haiku-os.org/

http://www.bebits.com/

I urge you to try out BeOS. It was billed as "the media OS" when it came out in the '90s, and was released for Intel and PPC.

Unfortunately, several factors forced Be Inc out of business, but the OS still lives on.

The last official release (R5) would be a perfect fit for your Mac.

BeOS is so intuitive. You'll love using it. The app suite GoBe Productive is a really good Office alternative for your typing needs.

The OS is very lightweight, solid, intelligently designed and lightning fast (it was built from the ground up for media stuff, unlike Windows, OSX, Linux and the others which have it bolted on afterwards). Try it - I'm sure you won't be disappointed and your lappy will feel brand new again.

http://en.wikipedia.org/wiki/BeOS

http://en.wikipedia.org/wiki/Gobe_Software

196

(49 replies, posted in Nintendo Handhelds)

wedanced wrote:

wooooo oh yeah... a preset machine... whooo?... wait... dont give a fuck.

akira^8GB wrote:

Oh hello, it's a rompler.

*dooze*

Did any of you actually use an M1 back in the day? No-one ever programmed it beyond the presets!

wink

197

(22 replies, posted in Atari)

Get a set. They're on eBay all the time. You'll have a blast!

I believe Warlords uses the same controller, up to four in fact - that's another "must have" game for 2600.

NB the controllers you need for Kaboom! are the "paddle" controllers - not the similar "driving" controller, that's for other games.

The paddles come in pairs (on the same joystick port) so two sets can be doubled for 4-player games.

198

(22 replies, posted in Atari)

Kaboom! With the wheel controller.

Absolutely frantic and great, great fun.

Anyone used it? I hear it doesn't live up to its promise and is rather uninteresting.

TristEndo-in-spacebutt wrote:

I wish i knew more music theory.

can i still be creative in music if i don't know advanced music logic and theory?

I find it helpful to think like this: Music theory, like mathematics, is a human invention to enable us to analyse and communicate about music, amongst other things.

Let me give a (pretty OK-ish) comparison: You know how when a footballer kicks a ball in the most amazing curve and lands the ball just where he wants it? That footballer doesn't necessarily have any knowledge on projectiles and mechanics; rather it's all done by feel. And a mathematician could analyse that same kick with conventional physics and maths too. Ultimately, the "art" of the kick is what affects the reality, and the footballer - even if he's a great one - needs no understanding of the theory of projectiles.

Music and theory are somewhat similar to this. One needs no theory training to tell when something sounds good, or even to create great music, but knowledge of the theory can bring all sorts of new ways of looking at and communicating about music. Goes back to what I said earlier about theory being a "tool" for us to help us in our musical endeavours.

TristEndo-in-spacebutt wrote:

how many of you guys create music purely from ear?

I do, but it's quite a rare skill. I'm blessed with perfect pitch and have been making music since before I understood what music really was, and I am musically trained to a very high level. So I have quite an advantage when it comes to working with musical ideas "in the brain" wink . A good musician will have to put the hours in just like anyone else who's good at anything. But all these skills can be learned (if you want to).

TristEndo-in-spacebutt wrote:

i love majo7th chords a lot please don't make fun of me.

So did Johnny Marr, and that didn't stop him being perhaps the most influential pop guitarist of the '80s!

TristEndo-in-spacebutt wrote:

what do I do about the anxiety of being imperfect?

I'd like to say I don't have that problem wink , but I think it's something that humans in all walks of life will have to deal with, at least for the foreseeable!

Hope this is useful, and maybe reassuring, to you.

wedanced wrote:

my particular gameboy had a sticker that a little kid put on it with his name. i have dubbed it the carter gameboy and have always referred to it as the carter phenomenon.

Does it have a funny haircut and speak in a Laaaahndahn accent?

(Sorry, couldn't help it. Love that band! smile )

OxygenStar wrote:

How to Install: Plug it in. The End.

It worked in Windows 98se, and MS-DOS, with no drivers to install whatsoever.

This is true of any adaptor that gives the MIDI sockets from the joystick port. As already mentioned, these devices are simply passing through signals, not doing any real "hard work". So a driver wouldn't come into it, and it is not something that is OS-specific in any way.

Takes me back though - I haven't used a joystick port for MIDI since I had a 486 and Windows 3.11 (and it was for the time, current tech)!

203

(9 replies, posted in Other Hardware)

arlen wrote:

You're being kind of vague.

Are you looking for a tracker? VSTs?

I'm going to guess VSTs since you use vocaloid. You could try Plogue's Chipsounds or just grab any sort of analog synth VST and just stick to the basic waveforms (square, pulse, triangle, sine, saw, noise). I've heard µB's VSTs are pretty nice, too.

Whatever you're using for sequencing, look for the Arpeggiator function and experiment with that. Use it with the waveforms arlen mentioned.

204

(55 replies, posted in General Discussion)

Remember people - wearing your old festival/gig wristbands is not a good idea. It looks daft and won't get you in again next year.

And think of the hygiene - eurgh!

Alpha C wrote:

And for the record, Suzanna Vega was probably chosen because this particular track served as some kind of benchmark during the development of the MP3 format (the track apparently is a bitch to compress with acceptable quality).

Ah yes, I remember reading now that the Fraunhofer dev who gave us MP3 was rather fond of using that particular 'pella for his experiments.

I'll look further. Thanks for the reminder!

That video is astonishing. I cannot believe the Commie can do all this in real time.

I am tempted to dig my XE cable out and try this on my real C-64, as I'm having great difficulty believing this is possible!

It's a shame, I always hated Suzanne Vega.

Looks really good. I like his no-nonsense writing style too.

(Hope they get reliable distribution for it, arf arf tongue)

208

(6 replies, posted in Atari)

Heheh, grab it! I've got one stashed away, along with the Atari joypads that came with the European models, which I really like for 7800 and 2600 gaming.