Well, it's been an interesting month to say the least, but here we are, and here's the comp:

DOWNLOAD THE MIXTAPE!

Please inform me of any errors that you might find in spelling, punctuation, title, credit, etc.
Also, something that was unfortunately called to my attention during this process; if you hear your music, or music that you recognize as that of another artist with the wrong name attached, inform me asap. I haven't heard every obscure demoscene comp or mid-2000's LSDJ ep out there, so fill me in if there seems to be something fishy.

Putting that aside, listen to the comp for happiness and excitement!

Read the .txt for more fun and enjoyment!

We did it together.

- Imaginary

----------

I have an idea. The title really says it all. I want to curate an open (web based) mixtape featuring music made in 2015. Also, reading the "Can I interview you?" thread was pretty interesting. I feel like people are looking for an outlet to express themselves outside of music 'round here. Therefore the tape will include a written portion. It'd be best if it included notes on the song, (Gear/recording process maybe? We all like that stuff.), and why you chose it to represent your output in 2015, but there are no rules regarding this part of the entry except for general content, etc. Use your judgement.

Anyone can contribute as long as:
1. The music includes elements of chip/tracking/vintage electronics/etc. and is an original work created in 2015. (No covers please.)
2. You provide original text to accompany the song.

Since there are no physical copies planned there will be no limit to submissions, but for general courtesy it would be best if the track you chose to submit not be overly long. That said, I'll take whatever you throw at me. The audio submissions will receive some very light mastering, (basically just volume normalization, so send tracks in the state you want them to appear on the finished product.), and then I'll assemble them into a track order. The text aspect of the project will be formatted into a .txt file and be bundled with the audio on the IOUT bandcamp.
Also, art? If you make art and would like to contribute album art, by all means do so.

Submissions go to: imaginary.chipmusic(at)gmail.com

Submissions close on January 1st 2016. (Submissions are closed.)

(Obviously the finished product will always be free.)
(Tracks submitted to this comp do not need to be exclusive.)
(Due to content concerns, text should be in English, please.)
(We'll all be happiest if tracks are submitted in 16b .wav format.)

Confirmed Submissions:

Ampliflyer
autobite
Back☆
BUS Blanchie
Conquer Monster
Drozerix
Feryl
Florian Olsson
Geech
Half A Person
hardmint
havocCc
Imaginary (It's me lol.)
Infodrive
irrlicht project
.keanu.
Lack Of Sound
Laffe the Fox
Marshall Art
NEON
Nostalgic Story
Paralax Sound Systems
Popsicle Theory
Power Supply
Sonus Silver
Sudstep
Yerzmyey
YukiKakushi

KVRX Austin has a radio show called 8bitcollective that streams live on the web, Thursdays at 9:00 PM. It showcases a pretty nice breadth of stuff that I wouldn't hear otherwise.

What GBA emulator should I run this on? Does he plan to have support for various GBA flashcarts?

132

(6 replies, posted in Releases)

This release has a lot of personality. It's dope.

133

(7 replies, posted in Releases)

It's good fun. Looking forward to studio versions of the originals. (Not that the covers were BOGUS or anything though, haha.)

Tronimal wrote:

Got it?

Got it! Very ingenious set of workarounds. I'm going to use this method when I get a proper stereo adapter, because why not? heart

irrlichtproject wrote:

you're in luck

Haha, perfect timing. I might have to give this beta a shot...  Looking forward to the note cut effect!

Thank you for your hard work gentlemen.

So I have a few questions regarding recording/mixing with HT2, (Or just recording in general, most likely.)
First, here's my setup/audio path:
TI-82 running HT2 with each channel isolated using mute function.
(2.5mm/3.5mm adapter) 1/8 - RCA stereo jacks, line input into Behringer Xenyx 302.
Xenyx into my laptop recording with Audacity.
Export tracks as WAV and load into Acid 7 pro. (Don't laugh, it's paid for. tongue)

Enter the problem: When tracks are synchronized to begin at the same time all seems to be well for most of the song, but when the 3/4 mark (or so) is reached things begin to drift out of synch. Why? here are some theories:

CPU usage is possibly lower during certain parts of the song when channels are muted, causing the active channel to play back at faster speeds?

Something having to do with recording latency/buffering in Audacity, or perhaps exporting to WAV? (I make no claims as far as being a recording engineer. My current buffer setting is at 100 milliseconds, and my current "Latency correction" is at -130 milliseconds.)

It seems that channels that have rests (no notes sounding) seem to go out of synch more quickly than others.

The recording up on soundcloud was recorded as a single track (full channel playback) with no EQ or mastering.
The four-track recording of each isolated channel sounds incredibly crisp and dynamic in comparison, but it's syncing issue makes it nonviable in the end.

I'm hoping this is a technique problem on my end, and that isolated channel recording with HT2 is fully possible.

If anyone has any experience with this sort of thing let me know!

(Also, thanks for the feedback! I'll keep at it.)

So I've been busily working away at tracking with HT2, and I've got a sound test up. Let me know what you think. (It's all mono, due to the fact that the only 2.5 to 3.5 adapter I have is a crap one meant for a phone, haha.)

137

(3 replies, posted in Releases)

I had a double take moment when something was impossible in fami (tri bass changing sounds) and read the interview to see what was used. tongue This is an excellent release that totally nails NES textures. Cheers!

Much heart 2 Bleep heart

139

(92 replies, posted in Releases)

This Auxcide track is a stunner.

140

(8 replies, posted in Releases)

It's right up my alley - nice work dude.

Well, time to get to work...

Snagged. Nice work!

Gidropony would be my personal choice. Alone In The Universe is pretty dope too, if you like pop-punkish things.

144

(6 replies, posted in Releases)

File Under Black was a great album, the followups got a little too meandering and eventually self indulgent, but hey, they were cool while they lasted. I saw them on the tour for the previously mentioned record and they were airtight.

So anyway, where I was hearing the phantom Fami was 1. A triangle waveform used in some songs, (I can go back and listen again to pinpoint it), probably set to manual? 2. Lots of the noi drums have a crunchy fami feel. Do you use a lot of S commands in tables for your drum work? That can emulate adjusting the arp envelope on the fami instrument editor in LSDJ. (Being analogous and all, haha.) 3. Some squares ringing out on some 4th octave notes on "LOLcat".

It's mixed pretty tightly, so sometimes the droning of heavily distorted guitar blends seamlessly with the low end of the gameboy sounds. A nice effect in many ways considering the oft made plea "How do I make chip + guitar not sound completely unnatural?", but it also makes it hard to pick out the bassy side of things without careful listening. Keep in mind I'm listening through meh-tier laptop speakers. I'll play the EP through my stereo when I get home. Again, great work in general though.