Also, Hally's cover of Cmon by Regurgitator was awesome!

(wait, he did do that, right? I wasn't just hallucinating?)

Such an amazing four days. Highlight for me was Trash80's set. I don't think I've danced so hard since.. since goth clubs in Perth!
Everyone was in top form though! Amazing!

Was so awesome meeting everyone (well, not EVERYONE, but a lot of people), apologies if I kinda spaced out and/or forgot anyone's names/etc, I was so overwhelmed by actually being social at a gig!

I can't believe how well I played at the pre-party, considering I had only been rehearsing for two days beforehand.. After only barely touching the guitar in the few months since the EB Expo last year.. Thanks to everyone who came along, it was awesome!

Post-party was great too, DJs in the beer garden and rockabilly/thrash/punk bands and a short burlesque show in the front room! The thrash band was amazing, Slayer levels of tightness!
.. probably shouldn't have had so much to drink though. I think the NES breathalizer inspired me.. I never did get a chance to challenge my original score!
Now, I sleep for many hours.

Wow, Virt's still doing stuff? Amazing!

Holy shit. Pre party was awesome. I think that's the most i've jumped around while still being able to actually play guitar. I'll definitely need a mark knopfler style headband next time though.

How on earth did that come about??

502

(2 replies, posted in Releases)


Bandcamp link

Oh my god, I can't believe it's finally done. How ridiculous. Anyway, $5 will get you 45 minutes of the most prog-inspired, ambitious demoscene style dance music I've produced so far. I hope you like it!

Track list:

1. Emergence I (5:03)
2. Luminance (5:10)
3. Super Penguivman (5:52)
4. Emergence II (6:35)
5. Outpost/Velora Pass (9:21)
6. Feat of Synchronicity (5:34)
7. Emergence III (ft. Mr. Lipid) (8:55)

503

(41 replies, posted in General Discussion)

I've written drum patterns (and melodies to a certain extent) on piano-roll style grids before. Mostly for drums it's when I come up with an amazing polymeter pattern—I find it oddly satisfying to write polymeter drum patterns on a grid.
Ever since getting iMaschine though, I think writing melodic patterns on paper is a bit redundant now. Unless they're in a non-4/4 time signature.

EXCITED big_smile
http://www.youtube.com/watch?v=ybjcmknjCOY

Well the idea is for it to not clash at all with blip, so if it has to be on a different day then that's ok! It's just a preliminary idea at the moment, I've wanted to do it for a while now, and figured blip would be the perfect time to do something like that! I wonder what I'd be able to get away with.. Or maybe it'd be best to contact whoever's in charge of the laundrette and see if they'll let me put on something more 'official'..

I'm thinking of taking over "My Beautiful Laundrette" further down Brunswick St either earlier in the day or the previous/next day, with a portable soundsystem for some laundrychip action, would anyone be interested in joining me? We could do amazing chip battle sets..

Can't wait! I'm gonna be debuting some new tunes! Might even throw in a few covers.

Rei Yano wrote:

Well I am no musician. Hell I am still learning basic theory (Got a decent book on it). So when I make it I do it entirely in medium. However since I do not have a solid understanding of the basics I tend to have a lot of trash or "almosts" or "could have been awesomes" that never get recorded. I have not touched anything musical in so long but I am getting back into it..... My usual process is basically put 4 or 5 notes evenly across a loop/pattern/phrase/whathaveyou. keep looping it and altering it until I feel like the note combo is giving me the right "feel" this takes me about 5 minutes. At that point I then just start trying to create a melody. This whole process ofc makes making music for me extremely time consuming. Which is why I am reading about theory whenever I get a free moment.

I never bothered reading about theory, 90% of my musical knowledge was picked up by ear. My dad taught me a small amount (some guitar chords, and the minor pentatonic scale) but besides that, I learned everything through trial and error over the course of about 10 years.. Hah, maybe reading about theory could have streamlined that process a little, though I like the path I've taken, it's resulted in a distinct melodic style (that I can't seem to avoid)..

Um, not sure. I haven't played around with much when it comes to CC messages in Seq24. You can definitely automate controller messages, not sure about assigning though.

Most of my pure electronic stuff is composed entirely 'in-medium'. 90% of my leads are programmed in Buzz, I'm confident that I'm at a point now where my programmed leads are almost more expressive and dynamic than the ones I play on guitar. That said though I'm working on getting my guitar synth chops up again to the point where I can play my leads entirely live, with the same amount of expression as on recordings.

As for chord progressions though, most of my best ones were composed through trial and error in Buzz. My guitar chord progressions are mostly pretty standard sounding. Piano on the other hand - I can come up with some interesting stuff that way, but I don't have access to a piano anymore, which is a shame! Well, unless you count a Portasound, but the small keys annoy me.

I also just discovered sunvox, I really want to start composing with it almost exclusively. With the exception of live guitar leads, of course. My aim is to play an entire set from an iphone/ipad with guitar synth. I know it's not very chip but sunvox can generate some very nice chippy sounds!

Yeah Seq24 is awesome. I used it for my rave set in March on my netbook, controlling a sampler and sound module. Worked well!

I've also used Reaper as a live controller but it was an entirely pre-programmed set - I'm not sure how well it goes with more live oriented stuff. You could always use it with this:
http://www.nashnet.co.uk/english/revisit/
and map tracker patterns to midi notes from within Reaper. I haven't tried it yet but it looks amazing. A tracker interface inside a VSTi!

512

(0 replies, posted in Releases)

Should be relevant to the interests of people here, especially Genesis/Megadrive enthusiasts. I made about 15 tracks for this, but only submitted one - I might play around with the other ones (adding other instruments etc wasn't allowed for the compilation; raw output only) and compile an ambient album.

http://www.recordlabelrecords.org/vario … nding.html

Genesis Bending is a compilation album created by various members of the We Are The Music Makers music forum. The project was conceived by Peter Godfrey (one half of the ambient group 'cubus') who experimented with the accidentally discovered effect of merging the memory states of various Mega Drive/Genesis games into one another using an emulator. The various results compiled on this album show the variety of the effects that can be created by using this so-called 'Save State Bending' technique - from the ambient drone of mcbpete's 'Echo Jr into Sonic 2 Beta', dark glitch of Pselodux's 'Sonistar3', music concrete of Hautlle's 'MK2vYB' right through to melodic minimalism of Alex Tripp's 'ghouls_into_outrun_2019_(japan)_003'. Genesis Bending shows what would be the result of a console creating its own soundtrack based on cannibalised CPU instructions and non musical data.
Don't be fooled by the description, this cannot be deduced a cold concept experimental album so kick back and follow along with the incidental harmonies and spontaneous song structures.